From the ashes of a complicated relationship with faith and rapidly budding queer electro-pop stardom, Heaven Hates Me rises. Gregory Dillon’s forthcoming album reflects a merging of the old and the new, subverting the teachings of his own religious upbringing into an exhilarating, new form of worship on the dancefloor. Suburbia’s Dark Secret has finally been unveiled, and its name is Gregory Dillon. With his face-numbing debut album “Heaven Hates Me”, Dillon pours lighter fluid on the small town life he so desperately tried to escape from. And for the thrill seekers riding shotgun, this high velocity anthem might just be the comfort to your next lonely meltdown.
“It’s not just about trauma; it’s about questioning fate, God, and why we sometimes feel punished for simply being ourselves. I hope it resonates with others, especially those who feel like they’re fighting battles on every front, trying to find their place in a world that doesn’t seem to want them.If Heaven is Hell-bent on keeping us in a place we can’t escape, then let’s set it on fire.”
