Photo credit: Haley Giwoff

Los Angeles-based alternative pop artist Jei-Rynn is excited to announce his new EP viole(n)t dreams out November 15 (pre-order). Today, he is sharing his latest single “ok, you got me” featured on the upcoming EP. The track debuted today at That’s Good Enough For Me and is available now on all streaming platforms for any playlist shares.
“ok, you got me” is a modern take on goth-tinged punk focused on the familiar conflict of individual vs society. The latest single from alt singer-songwriter Jei-Rynn is both an ode to the human spirit in the face of societal pressure and prejudice and a critique of the potential futility of unrelenting individualism. The song was produced by Marshall Gallagher, guitarist and vocalist of Teenage Wrist, with drums performed by Anthony Salazar, drummer of Teenage Wrist. To create the song’s playful yet dark aesthetic, Jei-Rynn and co did not shy away from blending eclectic sounds like 8-bits synths, bit-crushed beats, and detuned, metallic-sounding guitar tones.
Jei-Rynn is also announcing a Los Angeles show at the Moroccan Lounge on November 13 opening for Son Of Mars. Tickets for the show are available HERE.

 

Why did you choose this title for your upcoming EP?  

The real answer might be just that it sounded right. Beyond that, on a very practical level, I was having  some intense nightmares around the time I was thinking of EP titles for viole(n)t dreams, so that was a  real world influence as well. The songs deal with a lot of darker themes concerning my inner world and  the world around me. I think our traumas, both individually and collectively, influence our thought patterns which in turn affect and ultimately manifest the world that we live in, unfortunately. These songs are about  desperation, feeling helpless, feeling lost in the modern world, and they’re also about not wanting to give  in to it all; everything that goes along with living in a waking, violent dream. Oh and I like the color violet.  It’s inspiring.  

Is ‘ok you got me’ the most important track to you or why did you choose it as a single?  

‘Ok, you got me’ is definitely one of the most important tracks to me. It was the first song that I  consciously ever wrote for my solo project, and I’m so glad it’s finally out for everyone to hear. I feel it has  come to define my sound and my artistic ethos since. The song’s lyrics define both my experience as an  artist and as a person; it’s largely about the weight of being true to yourself.  

What drew you to exploring the conflicts between individuals and society?  

I’ve always been kind of a strange, quiet person, and I’ve always been very aware of the fact that people  don’t quite know what to do with me or what to make of me. So naturally, I’ve spent way too much time  thinking about why I am the way that I am, wondering what it means to fit in. I’ve always related to the  underdog, and I champion individual thought as well, so it was natural for me to explore the conflict  inherent in the relationship between individuals and their society in my songs.  

Have you had difficulties dealing with social pressure and judgment?  

Yes, I have 100% dealt with social pressures and judgment, both the real and imagined. When I was a  teen, people always judged the way I dressed and wore my hair. I guess I wore too much black. Being a  musician was never well respected by my friends who chose more traditional paths. I’ve always found  myself as an odd man out in both crowds of artists and non-artists. But I’m not the only one, I think; my  music tends to find people who have felt similarly misfit in society.  

How did you evolve as an artist since you started your career in music?  

I’d like to think my songs now are created with a better sense of craft. I’m better at knowing what parts of  an idea to pursue and expand upon and which parts to cut. I think I have a better connection to my inner  feelings as well. The songs I wrote when I was younger were much more abstract, lyrically. Though I was  capturing raw emotions, I think I’m better now at expressing my emotions in a way that is more relatable  and more specific. I aim to write songs that are memorable and can stand up on their own merits, rather  than writing songs while being completely absorbed with the desire to express myself artistically. There’s  maybe more logic in my current process, as my frontal lobe is more developed, I suppose.  

What inspires your sound? Any references?  

I really strive to create eclectic sounding songs that borrow from different genres. Old favorites like The  Beatles and Radiohead always inspire me in that way. In their later works, both groups are amazing at  blending different guitars, synths, strange vocal harmonies, and any other sound necessary to fit the  mood of a track. When producing the songs on viole(n)t dreams, we really wanted the guitars to sound  unique on each song and, to a certain extent, more like distorted noise than an intelligible, traditional  guitar part at times. In this way we were very inspired by Nine Inch Nails; The Downward Spiral is a  favorite of mine. Artists like Alice Glass, Grimes, and Ashnikko inspire me to play around with the synth  sounds and programming in the way that they do.  

What inspires your looks and visuals? 

My look has been slowly evolving as I find ways of expressing the themes in my music. Guiding stars  continue to include Robert Smith, Gerard Way, David Lynch, Tim Burton, and anime. I’m also inspired by  how my frequent collaborators and friends, makeup artist Sofia Scherer and cinematographer Haley  Giwoff, interpret my music.  

What can we expect from your live show?  

You can expect to see me give a piece of my soul at my live shows. I’m always drenched with sweat  afterward. It’s very easy for me to be absorbed by the emotions of the songs when I’m onstage, and I’m  happy to give that fully back to the audience.  

What is the ultimate message of your music?  

I think the ultimate message of my music is to believe in yourself, even when no one else wants you to or  cares if you do, and even when your demons are close to defeating you. Sometimes I wish I was one of  those cool artists who don’t feel they have an ultimate message and just let their artistic muses guide  them, but I’m a dreamer at heart, and I want to imbue something deep in my soul into each of my songs.