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Ealuhri Is Rapping Like Atlanta’s Future Is Already Watching

Ealuhri Is Rapping Like Atlanta’s Future Is Already Watching

With “WHIP IT,” the Eastside rapper turns pressure, grief, loyalty, and raw momentum into a sound...

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Devlin and The Harm Find Grace Inside Collapse on “No Havana”

Devlin and The Harm Find Grace Inside Collapse on “No Havana”

On their self-titled debut, Devlin McCluskey and company turn grief, political dread, recovery,...

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Little Miss Nasty builds a live show that refuses to stay still

Little Miss Nasty builds a live show that refuses to stay still

The Los Angeles–based collective Little Miss Nasty combines music, choreography, and visual...

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INTERVIEW: Lynn Breedlove on “Why I Like Dead Guys” and Turning Personal Tragedy Into Music With Trust Me

INTERVIEW: Lynn Breedlove on “Why I Like Dead Guys” and Turning Personal Tragedy Into Music With Trust Me

For queer storyteller Lynn Breedlove, grief is not an ending but a transformation. Following the...

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Freeman DeJongh Turns Apology Into Atmosphere on “Can I Live Here Tomorrow”

Freeman DeJongh Turns Apology Into Atmosphere on “Can I Live Here Tomorrow”

The Boise-based folk and western songwriter opens the door to Prison Of Tears with a song that...

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  • Ealuhri Is Rapping Like Atlanta’s Future Is Already Watching
  • Devlin and The Harm Find Grace Inside Collapse on “No Havana”

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