Formerly known as Burr Oak, Chicago singer-songwriter Savanna Dickhut steps into a new musical identity with The Baseball Diaries, a deeply personal album about heartbreak, desire, independence, and the uncomfortable freedom of starting over. Produced by Scott Lucas of Local H and Blake Smith, the record explores what happens when love ends but the process of understanding yourself is only beginning.

There is a strange kind of freedom that comes with losing something you thought would last forever.

When a long-term relationship ends, it’s rarely just another person who disappears from your life. Sometimes it’s an entire future: the routines you built, the plans you made, and the version of yourself you imagined becoming.

For Chicago-based singer-songwriter Savanna Ruth, that emotional territory became the foundation of her new album, The Baseball Diaries, out now via Easy Does It Records.

Previously releasing music under the name Burr Oak, Savanna Dickhut has entered a new creative chapter that feels as much like a personal reintroduction as a musical one.

Produced by Scott Lucas of Local H and Blake Smith, the ten-track album explores the aftermath of a significant breakup, the complications of new attraction, and the process of rediscovering autonomy after years of imagining a different life.

Blending intimate indie rock with confessional songwriting, The Baseball Diaries isn’t interested in presenting heartbreak as a simple journey from sadness to recovery.

Instead, it explores the messier territory in between, where longing, independence, desire, and uncertainty coexist.

Becoming Savanna Ruth

Changing an artistic name can be a superficial exercise in reinvention. For Savanna Ruth, however, the transition from Burr Oak accompanies a genuine shift in creative perspective.

Her 2024 release Annabelle looked outward, while The Baseball Diaries turns toward the contradictions of her own emotional life.

The songs emerged during a period of significant personal change, when the end of a relationship forced her to reconsider not only her romantic future but also her understanding of herself.

That process is reflected in the album’s recurring questions about attachment, desire, and independence.

How do you learn to love without possession? What happens when the person you were in a relationship no longer resembles the person you’re becoming? And how do you distinguish genuine connection from the comfort of familiar patterns?

Rather than resolving these questions neatly, Ruth allows them to remain complicated.

It’s an approach that gives the album its emotional identity: honest, restless, and willing to acknowledge feelings that don’t always make sense together.

The Thoughts We Usually Keep to Ourselves

Among the album’s defining singles is “Bad Thoughts,” a candid exploration of longing, attraction, and the desires people often hesitate to admit.

The song introduces one of the record’s central ideas: emotional honesty doesn’t necessarily mean expressing only the feelings we’re proud of.

Sometimes it requires acknowledging jealousy, uncertainty, temptation, or the uncomfortable realization that our desires don’t always align with the stories we tell ourselves.

Elsewhere, “Everything We Made” evokes the emotional weight of a shared history, while “In Your Orbit” suggests the gravitational pull relationships can continue to exert even as identities change.

“Queen’s Gambit” adds another dimension to the album’s exploration of love and autonomy, while “Creatures of Habit,” shared alongside the album’s release, draws attention to the patterns that shape how people connect and move through life.

Together, these songs establish a portrait of someone trying to understand what remains after familiar emotional structures begin to fall apart.

The result is less a traditional breakup album than a study of the ways people change through their relationships.

Love, Attachment, and the Freedom to Change

One of the most compelling themes running through The Baseball Diaries is the distinction between loving someone and possessing them.

Relationships can offer stability, intimacy, and belonging, but they can also become intertwined with expectations about who we are supposed to be.

When those expectations disappear, the resulting uncertainty can be frightening.

For Ruth, the album explores that uncertainty without treating independence as the opposite of intimacy.

The challenge isn’t necessarily to stop wanting connection. It’s to understand how connection can exist without sacrificing autonomy.

That tension gives the record a more complicated emotional perspective than the familiar narrative of heartbreak followed by empowerment.

Freedom can be exhilarating and lonely at the same time. New attraction can coexist with grief. And moving forward doesn’t always mean completely letting go of the past.

By allowing these contradictions to exist, Ruth presents self-discovery as something ongoing rather than a transformation that happens all at once.

A New Chapter, Without Erasing the Past

With The Baseball Diaries, Savanna Ruth joins a tradition of indie-rock songwriters who find emotional resonance in the imperfect details of everyday experience.

The involvement of Scott Lucas and Blake Smith provides a production framework for a record built around intimacy, melodic songwriting, and personal reflection.

But its defining quality is the perspective of an artist willing to question her own assumptions about love and identity.

The transition from Burr Oak to Savanna Ruth doesn’t require abandoning everything that came before.

Instead, it creates space for a different kind of honesty, one less concerned with explaining the world and more interested in understanding the person moving through it.

The album’s ten tracks, including two versions of “Chickadoom,” document that process without pretending it has reached a final destination.

And perhaps that’s what makes The Baseball Diaries resonate.

Starting over doesn’t always involve a dramatic declaration of independence or a sudden realization that everything happens for a reason.

Sometimes it simply means accepting that the life you imagined has changed, that your feelings are more complicated than you’d like, and that you are allowed to become someone different.

For Savanna Ruth, the end of one chapter has become the beginning of another.

Not because the past no longer matters, but because it no longer has to determine what comes next.


The Baseball Diaries — Tracklist

  1. Chickadoom
  2. Everything We Made
  3. Bad Thoughts
  4. Creatures of Habit
  5. Running Through Molasses
  6. Queen’s Gambit
  7. Brand New
  8. In Your Orbit
  9. Jasmine, baby
  10. Chickadoom (piano version)

The Baseball Diaries is out now via Easy Does It Records. Produced by Scott Lucas and Blake Smith.

Listen to “Creatures of Habit”

Photography: Miles Kalchik.