With “Savior Complex,” Peyton Shay challenges the age-old tales of romantic dependency, offering instead a thrilling narrative of self-sufficiency. This song is a cocktail of daring instrumentals and soul-stirring lyrics, a rebellious ode to doing your own thing, your own way. Imagine a melody that gets your feet moving while whispering truths of empowerment – that’s “Savior Complex” for you. It’s a conversation, a bold statement, encapsulated in lines that speak of a profound self-assuredness and an unapologetic embrace of independence.

This release is just a taste of what’s to come, laying the groundwork for Peyton Shay’s highly anticipated EP. With the magic touch of producer Adam Castilla (The Colourist) and the mastering genius of Grammy award-winner John Greenham (Billie Eilish, Girl in Red, K.Flay), this track sets the bar high for what’s next.

Why did you want to make an anti-relationship anthem? 

I am a very independent person, sometimes to a fault. However, I am dependent on Aquaphor, I can’t get anywhere without it. I wrote Savior Complex for all the people out there who thought there was something wrong with them because they didn’t want a relationship. 

How do you celebrate your independence every day?

By doing things that I love for the sole purpose of enjoyment and passion. You should never feel guilty for taking time to do things that benefit and make you happy! 

What inspired the sound and instrumentation of this track?

Savior Complex is paced for an angry walk away from people who are just trying to change you for their own benefit. It’s the most upbeat record on the EP and definitely a great song to work out to. 

What piece of advice would you give to someone stuck in a codependent relationship?

Relationships are really tough, and each person handles them differently. I think there’s so much to be said for valuing yourself as an individual and finding your own way and passion.

What can we expect from your upcoming EP?

The earlier songs on my new EP reflect my tendencies toward avoidance. Of course, there are some heartbreak and love bomb songs. I enjoy being lighthearted about heavy-hearted situations. If I can sneak in a lyric that makes the listener question my artistry, I’ll definitely do it. I’m a big concept person, so I always have a story that I’m ready to bring to life. I then go into melodies and lyrics. 

What’s the most representative track in it and why?

Each track has a special place in the project. Some are meant to be upbeat, while others are more melancholic. I wrote each song during a specific point in my life, and they all come together to paint a bigger picture.