Before the lights, the festivals, and the high-energy beats of dance music, my heart belonged to the gentle sway of Bossa Nova and the soul-stirring tones of Latin Jazz. That’s where my voice first found its rhythm. With Bossacoustics, I’m returning to those roots—stripping everything back to let the melodies breathe, and letting my voice tell the stories that first made me fall in love with music. This project blends the warmth of my earliest inspirations with the signature sound I’ve shaped over the years, reimagining old favorites and offering something intimate, acoustic, and true. It’s for the fans who’ve been with me since day one, for new listeners ready to slow down and feel deeply, and for anyone who believes music should move both your body and your soul.
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“BossAcoustics” marks such a shift from your EDM roots—what inspired you to return to the music that first made you fall in love with singing?
Honestly, it felt like coming home. Before all the big festival bangers and club anthems, I was a girl singing jazz standards and soulful melodies in my bedroom. Bossa Nova was part of my musical DNA growing up—there’s something about the emotion, the storytelling, and that effortless groove that just spoke to me. BossAcoustics was my way of reconnecting with that first love and honoring the roots that shaped me as an artist.
You’ve topped charts around the world with high-energy anthems—how did it feel to slow things down and explore a more intimate, acoustic sound?
It was incredibly freeing. There’s a different kind of power in restraint. Stripping things back allowed me to really lean into the vulnerability and nuance of the songs. It wasn’t about the drop or the energy—it was about the message, the feeling, and letting the music breathe in a more organic way.
You’ve reimagined some of your most iconic tracks in this new style, like “Bad”—what was it like to strip those songs back and give them new life through Bossa Nova?
It was actually really emotional. “Bad” is such a massive, high-energy track in its original form, but when we reinterpreted it through the lens of Bossa Nova, the lyrics took on a whole new meaning. You hear the longing, the heartache—it’s almost like discovering a new side to a song you thought you already knew inside out. It felt like I was telling the story all over again, but this time in my native tongue, emotionally speaking.
The EP blends Bossa Nova, Latin jazz, and classic melodies. Can you talk about some of the artists or records that shaped this sound for you growing up?
Definitely. I grew up listening to a mix of genres—Astrud Gilberto, João Gilberto, Antônio Carlos Jobim, but also Ella Fitzgerald, Billie Holiday, and Nina Simone. My parents played a lot of international music at home, and that blend of soul, jazz, and Latin rhythms was always around me. That melting pot of influences really shaped how I hear and create music today.
You mentioned in your letter that this project is for your day-one fans. What’s been the reaction so far from longtime listeners who know your dance music catalog?
It’s been beautiful, honestly. A lot of them have said, “This feels like the VASSY we met before the clubs and the charts.” They’ve followed me through the highs and the hits, but this EP feels more personal to them—and to me. It’s reminded all of us why we fell in love with music in the first place.
You made history as the first female recipient of the EDMA ICON Award—how does BossAcoustics reflect your growth as both a woman and a veteran in this industry?
Being the first woman to ever win the EDMA ICON Award was a huge milestone—not just for me, but for every woman who’s been grinding in this male-dominated industry and waiting to be seen. It was an emotional moment because it validated years of hard work, resilience, and staying true to who I am. That award wasn’t just about my success in dance music—it was a symbol of breaking through a glass ceiling.
BossAcoustics is an extension of that same spirit. It reflects a place in my career where I no longer feel the need to conform to expectations or chase trends. As a woman and as a veteran in this space, I’ve earned the right to tell my story the way I want to tell it. This project is softer, more intimate, but it’s also incredibly bold in its authenticity. It’s about embracing all sides of myself—the powerhouse and the poet, the hitmaker and the heart. That duality is powerful, and I hope it inspires other women to own their truth, no matter the genre or stage.
As someone who’s known for commanding festival stages and massive crowds, what’s your ideal setting for performing the songs from BossAcoustics live?
Something intimate—maybe a candlelit jazz lounge, an outdoor garden concert, or even a stripped-back acoustic set in an art gallery. These songs deserve a space where people can really listen and connect. I want it to feel like a shared moment, not just a performance.
You’ve had collaborations with legends like David Guetta and Tiësto—do you see a future where you blend acoustic and dance styles more regularly in your work?
Absolutely. That fusion really excites me. I think there’s a beautiful space where the soul of acoustic music can meet the energy of dance—where the emotion isn’t lost, but elevated. I’m always evolving as an artist, and blending those worlds feels like a natural next step.
This EP feels deeply personal. Was there a moment in the studio or writing process where it really clicked that you were making something different—and necessary?
Yes—there was a moment while recording the acoustic version of “Secrets” when I broke down in the booth. Hearing the lyrics stripped bare hit me in a way I hadn’t felt before. That’s when I knew I wasn’t just making a side project—I was telling my truth, and it needed to be heard in its purest form.
Looking ahead, how do you hope BossAcoustics shapes the next chapter of your career—and what do you want new listeners to discover about you through this project?
I hope it shows people that I’m more than just the voice behind the big drops—I’m a storyteller, a songwriter, and someone who values artistry over algorithm. For new listeners, I want BossAcoustics to be their invitation into a more intimate side of me. And for my longtime fans, I hope it feels like a heartfelt thank you—for riding with me through every evolution.
